Antique Impressionist Painting "Spanish Peaks" Colorado Mountain Landscape by Charles Partridge Adams 1900

 very attractive American Impressionist watercolor & gouache painting, "The Spanish Peaks" Colorado mountain landscape scene, by Charles Partridge Adams (1858-1942), circa 1900.
This lovely painting depicts snow covered Colorado mountains to the background and a scrub & tree-lined creek to the foreground, the painting is clearly signed "Charles Partridge Adams" lower left, condition is excellent, a very similar painting in terms of subject & size sold at Weschler's Auction, Washington D.C. in December 2004 for $7,475.
Provenance; From a private Colorado collection of Western art.

Charles Partridge Adams (1858–1942) was an American landscape artist who painted primarily in Colorado, and secondarily in California. Some paintings were also made in other Rocky Mountain states, the Pacific Northwest and Canada, and a few in Louisiana, the East Coast and Europe.
Adams was born in Franklin, Massachusetts; his family moved to Denver in 1876. In 1877 he began worked as an engraver in Denver, and received lessons from Helen Henderson Chain, an artist who had studied with George Inness. In 1885 he traveled to the East Coast and visited the studios of George Inness and Worthington Whittredge, and in 1888 he traveled to California and visited the studios of William Keith and Thomas Hill. He traveled to Louisiana in 1890, and to Europe in the summer of 1914. He spent the winter of 1916 in California, and moved to Los Angeles in 1920, and built a second home in Laguna Beach in 1926. He died in Los Angeles.
Adams is known for his views of snowy mountain peaks in early morning or sunset light, or wreathed in storm clouds, and for his luminous sunset and twilight paintings of the river bottoms near Denver.
Most of Adams paintings are enhanced by the use of stronger colors than one would find in a photograph. The evening shadows are bluer, the spring grass is greener, the sunsets more strikingly yellow or orange. He sometimes used very small areas of intense blue and red to enliven a dark shadowed area such as the heart of a clump of willows or the dark base of an aspen tree. He also made the mountains look about twice as tall as they actually look, as if seen through a telephoto lens.
Some of his earlier paintings include animals or human figures, but later paintings do not include them.
Roughly half of Adams paintings are oils and half are watercolors, which he began painting in the early 1890s. Over 950 paintings have been documented, many of Adams works are housed in public and private collections throughout the United States & Europe.

Imperial

20 inches high × 25 inches wide × 1 inches deep

Metric

high × wide x deep

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